, which thereby re-enables the r.p.m. needle to soar in a giant arc back upwards to the right, explicitly announces the polecats' soaring seesawing arc movements one of which will imminently snatch Max off the (War Rig, Hence, the r.p.m. soaring rebounding arc functions by the reversal in fortunes that
, Max leaves the People Eater, which is exploding, because Cheetah tells him that Furiosa is hurt. Max's jumping back onto the War Rig immediately coincides with his being lifted off, starting a majestic and gigantic movement of giant scales or measuring needles, explicitly re-enacting the measuring instruments of the cars' r.p.m. or of the de-regulated gravitational field: 1:39:59-1:40:43, as in Image 17: These large arches of movement, clearly seen going down in one direction like the decelerating r.p.m.s and up like the accelerating r.p.m.s, will ultimately transfer Max from the War Rig to the gigantic amplifier and drum vehicle (1:40:43-1:41:02) from which Max will make his way to the War Rig and then to Immortan Joe's vehicle, leaving Nux behind driving the War Rig (Nux gets his dream), Max's being nabbed by the soaring and then descending polecat illustrates. Thirdly, still relative to the r.p.m., Nux's transferring Max from a position of to-be-squished to one of further-life is a very big part of the reversal by which Max has gone from being Nux's Blood Bag to being Nux's mate, vol.13, pp.28-54
, to be a bi-directional linear movement, that has an asymptotic frequency or interval -a swathe -but one can also see the swaying movement as a bi-directional affair that itself displaces linearily. So, the movie is basically a straight line, as in ??, with a swerving perpendicular line between, as in S or Z, giving ?S?, or, in what amounts to the same thing, ?? with a concurrent undulating line on top or beneath it. In sum, there are two basic kinds of visual images, 2015.
, Call for Papers
, Mad Max. Fury Road. Warner Bros, 2015.
, Mad Max. Fury Road, 2015.